Following an item this week on the world’s greatest song, or one of them, some followup discussion on the song (Águas de Março, “Waters of March”), its composer (the great Antonio Carlos “Tom” Jobim), and the rich variety of recordings available.
1) A hypnotically simple version. Somehow I associate one stage of my writing life with having this hypnotically spare guitar version, by João Gilberto, playing in the headsets. It’s the first five minutes of this clip.
2) Susannah McCorkle. I hadn’t heard her version before. It presents the song with an entirely different mood and speed and is wonderful. McCorkle had been a modern languages student at Berkeley, and she translated the lyrics into English in a more elegant and idiomatic form than Jobim’s, plus here she handles the lyrics in Portuguese well. I don’t see any video of her singing the song, but her voice is on the version I’ve found, from closing credits for Jerry Seinfeld’s movie Comedian.
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Further on McCorkle, from a friend who is a genuine music expert (as opposed to an amateur “know what I like” fan like me):
Thanks for that irresistible video of Regina and Jobim singing “Waters of March.” I’d never seen it before, and you may be right in your top rankings.
But I’d say there are much livelier English-language versions than the one you show: e.g., Susannah McCorkle, Stacey Kent (though, I can’t remember now, hers might be in French), or Oleta Adams & Al Jarreau.
3) The friends and readers ask, I provide! Here is a YouTube version of Oleta Adams and Al Jarreau:
And as a bonus, here is Stacey Kent with Les Eaux de Mars, which as my reader half-suspected is en français (she is American). Even though I can understand the words here, unlike those in the original Portuguese, for me they still have that alluring cat-purr sound I noted about the original, and which I find an improvement over English-lyric versions even as elegant as McCorkle’s.
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From another reader, a hypothesis I won’t take time to track down. It concerns the bewitching video of Jobim and the singer Elis Regina performing Aguas:
One fascinating story I've heard (I think it's in Sergio Cabral's biography of Jobim but I'm finding it frustratingly hard to find a link) is that Elis & Tom apparently could barely stand each other in these sessions.
In this version of the story, she'd agreed to do the album for contractual reasons, and he disagreed with the arrangements, and the producer's biggest task was keeping either one of them from walking out.
It's a striking story because it's such a contrast to the audible and, in the case of that video, visible intimacy of the recordings. And I've seen other accounts saying they all stayed at the same LA hotel, shared riotous group dinners and generally had a ball.
I'm genuinely confused and fascinated by which account is true but I almost prefer the bitter to the sweet version. If it's true it's an amazing -- almost scary -- example of what consummate professionals these two musicians were, to spin such tension into such a convincing simulacrum of affection.